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Author:  stymie [ 14 Jun 2013, 15:53 ]
Post subject:  Re: How to

Exhibiting trees
If you're going to show a tree, perhaps at a local agricultural or club show or even show it off to visitors, it helps to do a little preparation.

Start by removing weeds, unwanted moss, dead leaves and debris from the compost surface. This gives a 'looked after' appearance.

Remove over large and discoloured leaves from the tree, unsightly wire or other mechanical shaping tackle. Then attack green moss or algae on the trunk and branches with a stiff old toothbrush.

A spot of detergent in water can help with the stubborn bits. Vinegar will kill the algae/moss. When the bark is dry, if its smooth, you might want to treat it with a tiny amount of light oil to enhance its colour or shine.

After washing and drying the container, some of the same oil on a scrap of lint free rag will improve the look if wiped over the outer surface of an un-glazed pot. It even hides slight imperfections in the surface and tide marks.

You've obviously already attended to the styling and trimmed to shape, otherwise you wouldn't be wanting to show it anyway. Have fun with this and give BONSAI a good name and clean image.

Many exhibitors top dress their medium with sieved Akadama after weeding, which adopts a nice reddish brown colour when damp. Very fine moss from dry places can also look well on the surface, but I don't leave this on through the winter as it can provide a shelter for unwanted insects/bugs.

Author:  stymie [ 14 Jun 2013, 16:28 ]
Post subject:  Re: How to

FERTILIZATION

The major nutrients are obtained by plants from water, air and sunshine. Trees getting these three sources will survive. The daily watering routine in an open planting medium pushes stale air out of the planting medium and draws fresh air in behind the water as it moves downwards. When they have a restricted root run as in a bonsai pot, other foods have to be provided for optimum health and rejuvenation.

The root system uses up the store of food in the small volume available to it more rapidly than if it had an unrestricted volume to reach through in search of its needs. Furthermore, the water which escapes through the drain holes in the pot, takes with it some of the dissolved food. The amount of these nutrients in the medium at re-potting time is mostly used up within six weeks when the plant/tree is actively growing. The answer is to replace these nutrients after the passage of this initial period.

The nutrients in highest proportion according to need are; nitrogen (N), phosphates (P) and potash (K).
Manufacturers of proprietary brands of fertilizer are required to list these items in this same order NPK as ingredients. Nitrogen is used by the plant to extend growth of buds leaves and twigs. Phosphates are mainly used up in root growth and potash in the formation of flowers and fruits. Other elements are added in smaller quantities to fertilizers during manufacture. These include calcium, sulphur, iron, zinc, copper, molybdenum , sodium and some other traces, even vitamin 'B'. These vary from brand to brand and are sometimes absent from the cheaper products.

A balanced fertilizer is one which has fairly equal percentages of the main three ingredients NPK and which would be labelled 10:10:10 or 5:5:5. This is what we would mostly use for our potted plants/trees during the main growing period from March to Mid-September. After that, as the cooler weather approaches, growth slows down and hardly any nitrogen is used, also, the current year’s growth needs to be hardened to withstand winter temperatures. This can be achieved by using a formula ratio of 0:10:15 or other low N high K combinations which are often found in tomato fertilizers. When people make up their own fertilizer, they can include the trace elements by adding a pinch of frit which is made for the purpose. Another ingredient which has become popular recently is humate, a residual from the decomposition of organic substances over a long period.

Growers will adopt a fertilizer of their own choice which fits in with their management routine. Pelleted, powder, liquid and cake forms are available.
My own routine is to use a liquid feed at fortnightly intervals from the end of March to late October. Specimens of this type include Phostrogen, Miracle-gro and B and Q powders which are dissolved in water before use. All these products have varied formulae to fit in with the requirements of the paragraph above.

Plants with various degrees of lime intolerance, namely ericas, azaleas and some needle trees are better catered for by an ericaceous formula, which increases the acidity of the planting medium. In other words reduces the ph value.
An off-white powdery residue at the base of a tree’s trunk or on the top, inside edges of the pot are often an indication that the ph has risen and deposits of lime salts are being left behind. These can be avoided by the use of one of the ericaceous fertilizers, chelated iron or even a drink of black tea on occasion.

If leaves display yellow patches in the middle, it may be an indication of a deficiency which can usually be corrected by watering with a solution of epsom salts - 1 teaspoonful to a pint of water usually does it for me. Some people use this on a routine basis at two to three month intervals whether or not it seems to be necessary. It does no harm anyway.

Some plants/trees which are kept indoors during the winter continue to grow at a reduced rate and
these should be fed with a half strength solution at monthly intervals only. Ones which are completely dormant of course, require no supplemental feed. Just the moisture content of their growing medium has to be maintained.

Contra indications.

Do not fertilize medium which has dried out. Water well before application.
Do not fertilize weak or sickly plants/trees which would be unable to utilise it.
Do not fertilize within six weeks of re-potting or root pruning. (risk of damaging root tips)
Do not fertilize deciduous varieties in Spring until signs of growth are observed.
Do not use a stronger mix than recommended, rather err on the side of higher dilution.

Plant nutrients.

Magnesium.
This is the central constituent of chlorophyll and helps plant enzymes to do their jobs. New chlorophyll cannot be manufactured without it so a shortage causes colour loss on the leaves starting from the insides and spreading outward. Not nice to see yellow in the middle of the leaves, or even white in the case of severe deficiency. Along with calcium, nitrogen and sulphur it is also active in making protein to create cells and allow growth to take place.
Loss of chlorophyll in the middle of leaves, particularly the older ones, is the sign that supplementation is needed. A dilute solution of Epsom salts sprayed onto the leaves is readily absorbed and corrects the shortage very quickly indeed.
As a measure to avoid a shortage, I have added a little to my water two or three times during the growing season. If there are any adverse effects from a surfeit of Magnesium, I have not experienced any.

Nitrogen.
Vital in regeneration and growth, being an essential part of the amino acids, which combine to make proteins, the building blocks. A shortage may be caused by a lack of bacteria which fix it in the medium, excessive leaching by heavy rainfall on very open mediums or failure to fertilize a sterile medium such as Akadama alone. The symptoms of a shortage are; slow or stunted growth, older leaves turning yellow and reddening of the leaf petioles and veins. The normal bonsai procedure of feeding at fortnightly intervals with half strength balanced fertilizer during growth periods is adequate insurance against a deficiency of this essential nutrient.

Phosphorus.
Links together with fats and oils to make cell walls, which are capable of allowing the passage of moisture and nutrients into the interior. It is active in chromosome formation and photosynthesis. It acts like a programme driver in a software package, determining the amount of various foods and minerals to be taken in by the roots to create a correct balance. Root and bud growth, leaf colouration and maturing of tissues are controlled by this wonder constituent. As it helps to make chromosomes, a dearth means that genetic material is not formed so fruiting is stopped, along with the manufacture of new cell walls and growth regulators. Like nitrates, it is absolutely necessary.
A slight bonus from a low level might be better autumn colour.

Calcium.
Puts the ‘bones’ into the twigs and branches in the form of stiffening membranes in the cells. It also helps to control membrane permeability, (Mentioned in the first sentence in phosphorus above). Like a ‘bouncer’ it decides which elements to let into the cells. Even ericaceous, (lime hating), plants need some of this. A complete absence would result in rotting margins in new leaves, no buds and die back of root and shoot growth points.

Sulphur.
Works along with nitrogen etc. by actually linking the amino acids together to make building blocks. Like a lack of nitrogen, insufficient sulphur results in yellowing of leaves but this time the younger ones.

Oxygen.
Being essential to most living things, it is needed round the roots as well as the leaves, hence the open, porous, planting mediums which are so beloved of bonsai. These allow the passage of air behind the draining of water, which also contains oxygen. It also has a structural role and controls the use of energy which allows the roots and leaves to work.

Potassium.
It nips in and out of cells to control the amount of water in the plant tissues, keeping everything turgid and under pressure. Also the action of stomata is regulated by this policeman to balance fluid losses. It controls the operation of enzymes, which make protein although it doesn’t actually do any building itself, although reputed to help in the formation of flowers and fruit.

There are other elements, which are only used in tiny amounts, such as boron, chlorine, copper, iron, manganese and molybdenum. The presence of too much molybdenum inhibits the uptake of copper.
These and other trace elements may be found in Frit; available from bonsai retailers.

Addendum. 2015
For many years it has been recommended to feed with a low percentage of Nitrates or even avoid them altogether towards the end of the annual growth period. The theory being that we don't want fresh immature growth at this time which could be damaged by the oncoming cold weather.
New thinking indicates that the trees will only utilize what nutrients they need when they need them so the above practice may not be necessary. Nevertheless, cutting down on nitrates at this time does no harm. I have noticed that fertilizers specifically formulated for autumn use are expensive so I shall not be buying them. :roll:

Author:  stymie [ 14 Jun 2013, 16:34 ]
Post subject:  Re: How to

GROUP PLANTING

I promised to write something about planting groups or forests.

CONTAINERS. Large ceramic pots can be expensive so consider whether a slab of stone or slate would be appropriate. Drainage holes are not mandatory in slabs unless there are hollows, which will hold water to cause root rot. Small holes for anchorage wires are useful but wire can be glued in place. The absence of walls on slabs will allow excess water to drain over the edges. If you wish to display your group away from home, keep the size down to something that you can lift without personal injury.

PLANTING MEDIUM. This needs to be no different to your usual bonsai mix but sometimes a clay/peat mix is used to hold the perimeter in place if on a slab.

SPECIES. Any material suitable for bonsai can be used. The majority of people will use only one species in a group planting but mixes with space between varieties work reasonably well. Even mixes of needle bearing trees and broadleaf have been used.

ACCESSORIES. Rock, accent plants and moss are useful, as are mounded soil levels to form an undulating landscape. Ceramic figures of animals, people and buildings are seldom used outside of China but this is a matter for the individual’s preference and not a rule of thumb.

NUMBER OF TREES. It is more likely to achieve a harmonious design if an odd number is used up to a total of nine. Over and above that total, it is not as important.

GENERAL POSITIONING. This is simplified if trees of varying height, thickness and age are gathered together before starting. It is useful to have the largest one at about a third of the way along from one side and slightly behind a middle line. The next largest will be placed near to the first one or well away if it is to be the focal point of a secondary grouping. Experiment with placing on/in the container, bearing in mind that larger, thicker trees look nearer and smaller, thinner ones should be further behind affording a feeling of depth and distance. It is usual, particularly with smaller numbers, to ensure that three or more trees don’t end up in a straight line. This would never occur in nature and after all, we’re not planting a hedge. A water-course can be suggested by a trickle of sand. Trees with a side comparatively free of branches can be cuddled up together as shading one another would probably cause this naturally. Outside members of a group generally lean outwards away from the others as if reaching for light. There are no rules as to positioning but these suggestions will ensure a more natural design. An important point, space toward the front and/or side of the container, covered with sand or moss, helps the open landscape effect and the natural perspective. A mound or hummock helps to emphasize the major tree or group.

I have purposely refrained from including a planting plan, as I believe that the trees themselves will suggest an arrangement. The eventual plan has to be a balance between what the trees tell you and the personality of the planter. Go ahead, have a go at this. Individual plants can be moved or replaced even years afterward. Very often another arrangement is visualised at re-potting time. Most important of all, have fun.

= Don.

Author:  stymie [ 14 Jun 2013, 16:42 ]
Post subject:  Re: How to

How to create a root over rock bonsai tree.

A young tree which has not yet produced lignified inflexible roots can be encouraged to cling to a rock in the following manner.
Select a stone that is perhaps a little deeper than the vision originally suggests because some of it will remain below the potting medium surface.. I have found tufa rock less than ideal because it will disintegrate over time, due to the effects of rain and frost. A textured rock with grooves running down over it would be ideal.
At re-potting time, select a container which will accommodate the rock completely. A tall plastic plant pot is suitable in view of what follows.
Wet the rock thoroughly and drape the immature roots over it, following any furrows or grain in the rock. Some of the roots should reach beyond the base. Secure them by binding firmly (not too tight) with previously soaked raffia which will rot away eventually when its function has served. Anything else might disturb the roots when being removed later. Put a layer of free- draining medium in the base of the container and set the tree bearing rock upon it. The spaces between rock and container wall are then filled gently with more medium until the whole rock and up to the original soil surface of the tree are covered. Water thoroughly and top up the medium to fill any space left by settlement.. Do not feed for three weeks by which time it is hoped that some bud burst or growth will be seen. Then resume your normal feeding and watering care as before. Trimming of the parts above the surface may take place during the growing period but don’t disturb the roots during that year.
In the following spring as growth again starts, cut away a section of the plastic container at the top and remove a similar depth of medium to expose the higher roots. A half inch might be right dependant on the size of the tree. This may be repeated at intervals during the next two growing seasons until most of the rock with the clinging roots is exposed.. There will be feeder roots around the bottom of the rock and underneath it in the layer of medium put below it at the start of the operation. By this time it will probably be appropriate to re-pot into a suitable bonsai pot, treating the rock and tree as one individual entity and allowing the feeder roots to spread laterally into the shallow but wider container. The roots by now will be holding the rock firmly and have assumed a more mature appearance imitating the colour and texture of the trunk bark.
This may seem to be a long drawn-out procedure but bear in mind that the tree parts above ground will have been continuously monitored and trained as any other bonsai.
Any inquisitive viewer can be regaled with the trees story and the object of doing this.
Have fun with this and you will be rewarded with a unique root over rock style bonsai.
Evergreen and deciduous varieties are equally treated, perhaps increasing the amount of grit in the medium for Pines and Juniper types..
The ideal trees for this style are undoubtedly Ulmus varieties which often have roots exposed in nature.

Author:  stymie [ 14 Jun 2013, 16:50 ]
Post subject:  Re: How to

How to remove wire
First and foremost; don't leave wire in place long enough to bite into the bark. Such damage is hard to eradicate and at best takes years.
Begin by removing the thinnest wires. These should be the last which were put on and will sometimes be (although they shouldn't) overlapping the thicker ones.
Take everything off in the reverse order to which it was applied, cutting the wire into small pieces with blunt nosed pliers where possible damage may be done when unfurling it. If tight raffia binding was put on under the wire, this may be hard to remove so don't scratch away at it, the weather will assist in its removal given a little time. Don't hurry this operation. It will possibly take longer to remove than it did to be put on and there may well be foliage now where there was none when the job was started. Should further correction of the previously wired member be necessary, re-apply wire winding it in the opposite direction to the original application so that it will not settle in the same places. I know that this just sounds like common sense but we sometimes approach the wire removal like a bull at a gate. I've seen it happen in the club when someone was too hurried and did some damage even as far as to breaking branches.

Author:  stymie [ 14 Jun 2013, 16:53 ]
Post subject:  Re: How to

HUMIDITY

The question of maintaining humidity around trees grown indoors arises frequently and I think that having a reference here to which people may be directed can only be useful.
There are some obviously humid areas in the house, for instances, the kitchen and bathroom.
Elsewhere, to achieve moisture in the immediate vicinity of a tree it may be introduced by regular mist spraying. Some people believe that droplets of water on the leaves can focus the rays of the sun to a small point which may actually burn the leaf or at least cause small spots or scorches. This is a fallacy because a summer shower followed immediately by sunshine doesn’t have that effect
The other popular method is to place the pot on a tray of larger dimensions than the pot, in which gravel, small pebbles, marbles or something similar is placed. The gravel may be kept wet and the moisture will evaporate slowly, creating a mini-climate around the tree. Stand the pot on top of the gravel. Care must be taken to avoid contact between the water and the base of the pot because moisture could be wicked up through the drainage holes to cause water logging which in turn might cause root rot or encourage the growth of less than helpful fungi.

Author:  stymie [ 14 Jun 2013, 16:58 ]
Post subject:  Re: How to

Just got a Bonsai?

If you got a tree for the first time, perhaps bought it on an impulse or someone gave it as a present, there are some things to think about.
Find out what species you have, because trees from different areas need to be kept in different places and be treated differently. All trees which are native to your own area must obviously kept in the open where nature intended. Those from much warmer climes may not be hardy to your winter conditions and may need some kind of shelter after the first frosts arrive. Ask us if you suspect that your tree is in this category.
If it didn't come from a specialised bonsai source it may be an imported item which is prepared in a way to allow it to stay in its container during transit.
There may be glued on stones/rocks/pebbles which restrict the free passage of water into the planting medium. These should be removed as soon as possible and any depressions revealed filled in with grit or free draining compost.
The planting medium may be clay which does not drain easily. This may be changed during the next early spring when re-potting can take place.
Trees in pots need air as well as water at their roots and this can be achieved by using a free draining medium to plant them in. This will also allow any excess moisture to drain away quickly and reduce the risk of root rot. The target should be to be able to keep the medium just moist by watering when mother nature has not provided enough.
Any tree which is not in the process of active growth, sickly or newly potted should not be fertilised until recovered and robust.
This is just first aid and articles about different procedures and care can be found elsewhere on this site. Ask if you don't know where to look or use the ‘search’ facility at the top of the page. In any event ask questions because that is why we are here.

Author:  stymie [ 14 Jun 2013, 17:02 ]
Post subject:  Re: How to

Lime Sulpher recipe

To one and a half pints of water (.8Ltr) add two ounces (57Grams) of hydrated garden lime and bring to the boil stirring slowly.

Add three ounces (85 Grams) of Flowers of Sulphur a little at a time and make sure that the solution is stirred continuously and kept at a gentle boil.

After a while the Sulphur will disappear and the liquid will turn yellowish brown.

The Lime takes longer to dissolve, often leaving a residue. When it seems that no more is going to dissolve, allow to cool, drain off the liquid and filter through an old nylon stocking into marked storage bottles, well stoppered.


As the above is taking place a certain sulphuric smell is inevitably given off. If this interferes with domestic harmony you may prefer to make it outside or to buy some.


YOU KNOW WHAT IT’S FOR - DON’T LET THE CHILDREN DRINK IT.
OKAY?


Since writing the above, I have discovered that a drop of detergent in the water will assist in the incorporation of the sulphur. It also helps the subsequent solution to enter the pores of the dead wood. Allow at least three-quarters of an hour to complete the full preparation of the recipe."

Author:  stymie [ 14 Jun 2013, 17:06 ]
Post subject:  Re: How to

Literati or Bunjin

I am avoiding the use of Japanese or Chinese terms apart from the subject names underlined so as to cause no confusion among those unfamiliar with such extravagancies.

Literati/Bunjin bonsai has no hard and fast rules and is therefore a difficult thing to describe.. It is generally accepted that the lower two thirds of the trunk should be free of foliage and significant branches although a long downward flowing branch can be an asset. Line is more important than mass of foliage or trunk taper. Many trees classed as literati have scarce taper at all but do have flowing or abrupt movement in the line. The lack of taper is not an essential feature nor is a feminine appearance. A magnificent tree with a masculine appearance and considerable taper can still be Literati/Bunjin.
An aesthetically pleasing aspect is always good but should preferably be achieved with a relatively sparse amount of foliage. Deciduous trees are less favourable on account of being comparatively brittle in general and having a tendency for upright growth. This does not preclude them from the title. They are just a little more difficult. Many of the dos and don’ts of bonsai are disregarded in Literati/.Bunjin. They are somewhat unusual and a ‘different’ look in the material can often be made into a feature. Even crossing branches.
Single trunk trees are usually planted in shallow round or oval containers of a size which would normally look right holding the top third of the tree only. This can make them unstable, particularly if the tree is slanting. The answer is to tie them down to the stand or bench in windy conditions. Trays are also accepted containers, particularly for multi trunk compositions. All containers should be subsidiary to the tree and of a subdued colouration

Author:  stymie [ 14 Jun 2013, 17:14 ]
Post subject:  Re: How to

New slant on wiring.
There are articles on applying wire for shaping trees in all the books as well as on here. I have recently come across a method of application onto material which might be easily snapped or which might thicken and take wire damage before becoming set. It is a variation on cage wiring where the wire is applied loosely to allow for thickening.
Wrap the cut piece of wire closely around an object which is between three and four times the thickness of the part to be wired.
The coils should be touching each other but not overlapping at this stage. I tried using a phillips screwdriver shank as an experiment. Slide the coils off the end of the shank and stretch the wire so that it assumes a spiral with strands at something like 45°. Start near to halfway along the member to be wired by thread/twisting the wire onto it and work toward the trunk. A portion can be partially straightened there to be used on an anchorage point. The second half of the member may be flexible enough to be twisted into the remaining coils of wire. Presumably, the point at which you started should be where the member is becoming less flexible. Now bend the member to shape. The wire may be left on for a long time without biting into the thickening bark under it. It's a useful method which I had never heard of before.

Having tried this, I can recommend it to anyone wiring an evergreen tree for the first time. It causes less damage to the existing foliage than working a long wire around the member does. A reyt good tip. :30clap2:

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